Index of Lecturers

The Center for New Music

updated March 21, 2020


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Acevedo-Arús, Marcos (Temple University)  
"Opening Theme as Narrative in ‘Metal Gear Solid 3: Snake Eater’"
      03/06/20

Addis, Laird   Bio
"Remembering Richard Hervig"
      03/27/11

 
Backfish-White, Daniel (Butler University)  
"Gone Phishin’: Masculinity Politics in the Culture of Phish"
      03/06/20

Barnett, Gregory   Bio
"'Indianist' Composers, Native American Melodies, and the
   White Imagination of the Early Twentieth Century"

      11/01/01

 
Cole, Kelly (Bowling Green State University)  
"Surprising, New Emotions: Female Narrative in Paolo Sorrentino’s Youth"
      03/06/20

 
Di Pietro, Austin (Wayne State University)  
"Establishing a Transnational Jazz Scene in the Windsor-Detroit Borderlands"
      03/06/20

 
Eckert, Michael
"The Music of Ralph Shapey"
      11/01/01
"Luigi Dallapiccola on Olivier Messiaen: a postwar perspective"
      03/28/04

 
Fritts, Lawrence
"Mappaemundi: A Collaboration in Art, Music, and Mathematics"
      11/01/01

 
Gompper, David
"Engaging Native American Music in Contemporary Composition"
      11/01/01
"Birds of a Feather: Moment form in Messiaen's Oiseaux Exotiques"
      03/28/04

 
Marion, Greg
"Prelude(s) to Prelude(s): a Messiaenic response to Debussy?"
      03/28/04

       
Iogansen, Leonid
"From abstract to concrete vs from concrete to abstract: Opposite vectors of development in artistic language in painting and music."
      04/18/15

 
Mumme, Lisa (Washington University, St. Louis)  
"Death on the Road: Music and the Deaths of Women in the Mad Max Film Franchise"
      03/06/20

 
Nelson, Anna (University of Michigan)  
"‘Non multa, sed multum’: Interrogating the Modernist Aphoristic Aesthetic"
      03/06/20

Nez, Ketty
"Cross-cutting the illusion of continuity in Messiaen's Oiseaux Exotiques"
      03/28/04

   
Peter, Nicole (University of Iowa)  
"Jane Austen and Thorough-Bass"
      03/06/20

  
Rojek, Jakub (University of Arizona)  
"Enhancing Music Education by Connecting Improvisation and Composition"
      03/06/20

 
Sakamoto, Minato (Duke University)  
"Piano Is Chinese"
      03/06/20

Simmons, Jim
"Musical Strands and Their Use in the Art Music Canon"
      04/18/15

Sprout, Leslie
"Messiaen's War Memories"
      03/28/04

Strauss, Walter
"Messiaen in Double Exposure"
      03/28/04

 
Tinoco, Felipe Guz (Washington University,St. Louis)  
"Cyborg Sounds: Gonzalo Rubalcaba’s New Cuban Popular Music"
      03/06/20

Tran, Sylvie (University of Michigan)  
"Lofty Goals and Lucky Breaks: Wind Quintet Transcriptions and the Formation of Canon"
      03/06/20

Tubbs, Andrew (Washington University, St. Louis)  
"‘I’d Rather Pretend I’m Something Better than these Broken Parts’: Compulsory Able-Bodiedness
in Dear Evan Hansen"

      03/06/20

Tuttle, Alexis (University of Iowa)  
"Singing for Suffrage: The Compositions of J.H. DeVoe"
      03/06/20

     
Watkins, Glenn
"Writing History: The Composer and the Musicologist"
     02/18/11
"Music and the 100th Anniversary of America’s entrance into World War I"
     04/06/17

Watkins, Lindsay (University of Florida)  
"Pretest, Identity, and Digital Media in ‘Glory to Hong Kong’"
      03/06/20

Winter, Zane
"Recent Trends in Cello Notation"
      04/18/15