Jean-François Charles, Music director, LOUi
Josh Levine, Adjunct Asst Professor, 2017
Jinwon Kim, Research Asst, CNM
Zachery Meier and Jeremy Maas, Research Assts, CW
The composers and musicians who took part in Concert XX on April 23, 2017.
CNM's 2017-18 Season Concert Preview
— All concerts are free and open to the public —
University of Iowa - School of Music
Society of Composers, Iowa Student Chapter presents
24 + 24 Hour Concert Project
Sunday, September 3, 2017, at 7:30 pm in the Concert Hall
This year the 24 + 24 Hour Concert Project begins on Friday September 1 at 5:00 pm when composers meet with available performers and randomly pair. Within the next 24 hours composers are to write unique extemporaneous works for the assigned performers. At 5:00 pm on Saturday September 2, the performers are to receive their new compositions and begin practicing. The project culminates in a performance in the Concert Hall at 7:30pm on September 3. Please plan to join us and experience an evening of frenetically invented new music!
in a recital of 20th and 21st-century music
for solo violin and fixed media
Sunday, September 10, 2017 at 7:30 pm in the Concert Hall
The recital will include works by James Aikman, Patrick Long, Otto Luening, C. P. First, Hugh Levick, Tyler Entelisano, Thomas Wilson and Frank Felice.
Davis Brooks comes from a diverse musical background as soloist, pedagogue, orchestral musician, studio musician, concertmaster on Broadway, conductor, and chamber musician. His teaching experiences have included faculty appointments at Baylor University, Wayne State University, University of Wisconsin at Eau Claire, and Bucknell University. He is currently professor of violin at Butler University in Indianapolis, IN.
In addition to his present position as interim concertmaster of the Indianapolis Chamber Orchestra, Brooks was a member of the Mostly Mozart Orchestra at Lincoln Center for ten years, and he also was a member of the New York Chamber Symphony for nineteen years; an organization that produced over 20 critically acclaimed recordings during his tenure. He has been concertmaster of the Chamber Orchestra of New England, the Harrisburg Symphony (PA), and the Waco Symphony (TX).
Frank Felice is an eclectic composer who writes with a postmodern mischievousness: each piece speaks in its own language, and they can be by turns comedic/ironic, simple/complex, subtle/startling or humble/reverent. Recent projects of Felice's have taken a turn towards the sweeter side, exploring a consonant adiatonicism.
Frank currently teaches as an associate professor of composition, theory and electronic music in the School of Music, Jordan College of Arts at Butler University in Indianapolis, Indiana. In recent years he has been in demand as an electric and upright bassist, playing in various rock/funk/prog rock/big bands in the greater Indianapolis area.
The Center for New Music Ensemble
Sunday, September 24, 2017, at 7:30 pm in the Concert Hall
Guest composer and UI alumnus Amy Dunker is a Professor of Music at Clarke University where she teaches music theory, aural skills, composition and trumpet. Amy has a DMA in Composition from the University of Missouri‐Kansas City Conservatory of Music, MM in Composition from Butler University, MM in Trumpet Performance from the University of South Dakota and a BME in Music Education from Morningside College. She has studied composition with James Mobberley, Chen Yi, Michael Schelle, James Aikman and Robert Block.
a.pe.ri.od.ic to present the 'trash opera'
Sunday, October 22, 2017, at 3:00 pm in the Stark Opera Room
Time With People (2013) is not an opera in the traditional sense. There are no characters, costumes, or even orchestral instruments. Instead, the stage is set with trash and other assorted objects. The soloists and chorus speak, dance, chant, and drum. And the only “classical” music comes from a recording.
Alternately funny, playful, perplexing, and sad, the work challenges audiences to reconsider their preconceived notions of the nature of music. Writing about the world-premiere performance, Lawrence Dunn remarked, “This is a world in which music is a kind of memory—something that must be reconstructed from the ground up, and afterwards returned to the same ground.”
The piece hearkens back to the traditional sense of an opera as a collection of works, yet upends tradition by largely removing music and the orchestra, leaving behind only fragments, both musical and literal: recorded excerpts of Handel and Rossini begin and end the work, while a trash-strewn set serves as an orchestra of found objects as the performers wade through it.
The performance group a.pe.ri.od.ic, led by Nomi Epstein, is a collective of composers, instrumentalists and vocalists with experience in myriad experimental music practices. The group has a history of interpreting distinctive pieces using a collaborative rehearsal process, deriving meaning and intention from oblique prose scores with great sensitivity.
the first concert in Season 52 of UI composers' recent works
adjudicated and chosen by their peers
Sunday, October 29, 2017, at 7:30 p.m. in the Concert Hall
The Composers’ Workshop (CW), made available to the graduate and undergraduate students in the composition program, helps to promote new works in live performance, thus encouraging dialogue between composer/composer and composer/musician regarding musical ideas, instrumental techniques and mutually understood notation. The program is made up of pieces that are in various stages of development, from early sketches to completed compositions. Works for specialized performers, such as the JACK quartet, are adjudicated and considered for a performance. The CNM currently schedules four CW concerts with student performers annually, and one concert with the JACK Quartet each fall.
performing the two Bartok Sonatas for violin and piano, as well as
20th & 21st century selections.
Thursday, November 2, 2017 at 7:30 pm in the Concert Hall
As a new music specialist, Sarah Plum has championed composers - commissioning, premiering and discovering new works while also bringing them to the attention of a larger public.
Plum recently released two solo CDs – Music for a New Century (BGR 371) with violin concerti by Sidney Corbett and Christopher Adler and Bela Bartok: Works for Violin and Piano, Volume 1 (BGR 373) with pianist Timothy Lovelace.
In October of 2016, Plum was the featured guest at the Electronic Music Midwest Festival where she played electro-acoustic works, many of which were written for her by Eric Lyon, Sidney Richardson, Jeff Herriot, Elizabeth Hoffman, Ken Ueno, Benjamin Broening, Eric Moe, Charles Nichols and Mark Engebretson.
Plum is a graduate of the Juilliard School and SUNY Stony Brook.
Pianist and conductor Timothy Lovelace has performed on four continents and has been featured at Carnegie¹s Weill Recital Hall, New York¹s Merkin Concert Hall, Philadelphia¹s Trinity Center, Columbia University¹s Miller Theatre, Chicago¹s Dame Myra Hess Memorial Concerts and on chamber music series sponsored by the symphony orchestras of Chicago, Cincinnati, Detroit, Minnesota, and the Saint Paul Chamber Orchestra.
A proponent of new music, Lovelace has performed under the supervision of composers Elliott Carter, John Corigliano, Steve Heitzeg,
performing 20th & 21st century works for cello
Saturday, November 04, 2017 at 7:30 pm in the Concert Hall
Timothy Gill, principal cellist with the Royal Philharmonic Orchestra for 15 years and the London Sinfonietta since 2005. He is also much in demand as a soloist and chamber musician.
Sunday, November 05, 2017 at 7:30 pm in the Concert Hall
Michael Daugherty & Roshanne Etezady, faculty co-directors
Jules Pegram & Shuying Li, student co-directors
Friday/Saturday, November 10 & 11, 2017
University of Michigan School of Music, Theatre & Dance
Ann Arbor, Michigan
The JACK Quartet
premiere performance of works by four UI composers
Thursday, November 15, 2017, at 7:30pm in the Concert Hall
The JACK Quartet
Performing works by Guest Composer, Marcos Balter,
Carter, Coates and Ferneyhough
Friday, November 17, 2017, at 7:30pm in the Concert Hall
The Laptop Orchestra at UI (LOUI)
Jean-François Charles, director
with Guest Professor Andrew Bentley
Wednesday, December 1, 2017
at 7:30pm in the Recital Hall
Directed by Asst. Professor Jean-François Charles, the Laptop Orchestra of the University of Iowa (LOUi) is an experimental new music ensemble that promotes the intersection of acoustic and electronic music, of traditional or classical instruments with laptops, guitar pedals, and other electronic devices. Students create their own repertoire and develop improvisation skills.
Guest Andrew Bentley is Artistic Professor of Music Technology at the Sibelius Academy, University of the Arts Helsinki. He was one of the founders of the Music Technology study program at the Sibelius Academy in 1998, and acted as its first Head. Bentley has made long-term efforts to develop electro-acoustic music teaching and its educational tools, increasing their levels significantly. Over the past few years he has been actively involved in the development of SAMA – Sound Art & Sonic Arts, the inter-academy study program at the University of the Arts Helsinki.