In a recital of 20th and 21st century music
for solo violin and fixed media
 

Guests: violinist Davis Brooks and composer Frank Felice

 

Sunday, September 10, 2017 at 7:30p in the Concert Hall

 

 Program

Otherworldly Shimmer (2016)
Tyler ENTELISANO (b. 1994)
for violin and electronic sounds
 
Gargoyles (1937)
Otto LUENING (1900-1996)
for violin and synthesized sound on tape
 
The Reflections of My Introverted Sneakers (2016)
Thomas L. WILSON (b. 1992)
for violin and electronic sounds
 
Brace Yourself Like A Man (2001)
Frank FELICE (b. 1961)
for violin and electronic sounds
 
Strung Out (1967)
Philip GLASS (b. 1937)
for amplified violin
 
intermission
 
Fantasy (1991)
Jame AIKMAN (b. 1959)
for violin and electronic sounds
 
Shadow Steps (2001)
Patrick LONG (b. 1959)
for violin and tape
 
Nosotros (2004)
Hugh LEVICK (b. 1943)
for violin and pre-recorded sounds
 
Quatre Regards dans la Belle Jarre (2017)
Frank FELICE (b. 1961)
for electric violin and Logic sounds
 
Inquietude (2017)
Filipe LEITAO (b. 1984)
for violin and electronic sounds
 

 Performers

Davis Brooks comes from a diverse musical background as soloist, pedagogue, orchestral musician, studio musician, concertmaster on Broadway, conductor, and chamber musician. His teaching experiences have included faculty appointments at Baylor University, Wayne State University, University of Wisconsin at Eau Claire, and Bucknell University. He is currently professor of violin at Butler University in Indianapolis, IN. In addition to his present position as interim concertmaster of the Indianapolis Chamber Orchestra, Brooks was a member of the Mostly Mozart Orchestra at Lincoln Center for ten years, and he also was a member of the New York Chamber Symphony for nineteen years; an organization that produced over 20 critically acclaimed recordings during his tenure. He has been concertmaster of the Chamber Orchestra of New England, the Harrisburg Symphony (PA), and the Waco Symphony (TX).

Frank Felice is an eclectic composer who writes with a postmodern mischievousness: each piece speaks in its own language, and they can be by turns comedic/ironic, simple/complex, subtle/startling or humble/reverent. Recent projects of Felice's have taken a turn towards the sweeter side, exploring a consonant adiatonicism. Felice currently teaches as an associate professor of composition, theory and electronic music in the School of Music, Jordan College of Arts at Butler University in Indianapolis, Indiana. In recent years he has been in demand as an electric and upright bassist, playing in various rock/funk/prog rock/big bands in the greater Indianapolis area.